ENGLISH SUBTITLE
1 DVD
13 EPISODE
Origins and reaction
Kevin Williamson, a native of the small coastal town of Oriental, North Carolina, was approached in 1995 by producer Paul Stupin to write a pilot for a television series. Stupin, who as a Fox Network executive had brought Beverly Hills, 90210 to the air, sought out Williamson after having read his script for the slasher film Scream—a knowing, witty work about high school students. Initially offered to Fox, the network turned it down. The WB, however, was eagerly looking for programming to fill its new Tuesday night lineup. Williamson said "I pitched it as Some Kind of Wonderful, meets Pump Up the Volume, meets James at 15, meets My So-Called Life, meets Little House on the Prairie". The show's lead character, Dawson Leery, was based on Williamson himself: obsessed with movies and platonically sharing his bed with the girl down the creek.
Procter & Gamble Productions (the company behind such daytime dramas as Guiding Light and As the World Turns) was an original co-producer of the series. The company, however, sold its interest in the show three months before the premiere when printed stories surfaced about the racy dialogue and risqué plot lines. John Kiesewetter, television columnist for The Cincinnati Enquirer wrote: "As much as I want to love the show—the cool kids, charming New England setting, and stunning cinematography—I can't get past the consuming preoccupation with sex, sex, sex". Syndicated columnist John Leo said the show should be called "When Parents Cringe," and went on to write "The first episode contains a good deal of chatter about breasts, genitalia, masturbation, and penis size. Then the title and credits come on and the story begins." Tom Shales, of The Washington Post commented that creator Kevin Williamson was "the most overrated wunderkind in Hollywood" and "what he's brilliant at is pandering." In his defense, Williamson denied this was his intention, stating that "I never set out to make something provocative and racy".
The Parents Television Council proclaimed the show the single worst program of the 1997-1998 season, a title the Council would also award it for the 1998-1999 season. The Council also cited it the fourth worst show in 2000-2001. However, on the opposite end of the ideological spectrum, the National Organization for Women offered an endorsement, deeming it one of the least sexually exploitive shows on the air. For every scathing review there was a glowing one: Variety wrote that it was "an addictive drama with considerable heart...the teenage equivalent of a Woody Allen movie—a kind of 'Deconstructing Puberty'". The Atlanta Journal-Constitution called it "a teen's dream". The Dayton Daily News listed Capeside as a television town they'd most like to live in. The Seattle Times declared it the best show of the 1997-1998 season. The New York Times had perhaps the best headline on its review: "Young, Handsome, and Clueless in Peyton Place". That was precisely the sort of allusion real teenagers weren't likely to get, let alone make, but the show's punchy dialogue was full of them. Dawson calls his mother's co-anchor "Ted Baxter" and refers to his parents as "Rob and Laura Petrie." He responds to his principal's request for a film glorifying the football team as belonging to "the Leni Riefenstahl approach to filmmaking." Jen says her parents followed "the Ho Chi Minh school of parenting." The verbiage was high-flying too: star Michelle Williams confessed in interviews she had to consult her dictionary when she read the scripts.
While never a huge ratings success among the general television population, Dawson's Creek did very well with the younger demographic it targeted and became a defining show for the WB Network. (The first season's highest ranked episode was the finale, which was fifty-ninth, while the highest rated was the second episode, scoring so well only because there was no programming on the other networks, which were carrying President Clinton's State of the Union address in the midst of the Lewinsky scandal.)
The show endured phenomenal success in Australia where it rated number one in its timeslot for every episode covering seasons one to four. Its incredible support extended out into the music industry too when "Songs From Dawson's Creek", released in 1999 on Sony Music, reached #1 on the Australian Album Chart. It remained in the top spot for six weeks and was certified 3x Platinum; inevitably, it was the fifth highest selling album of the year. This was followed in 2001 when "Songs From Dawson's Creek — Volume 2" was released. Debuting at #1, the show's second soundtrack went on to achieve platinum status and was praised by critics and fans alike.